Showing posts with label ஓணம். Show all posts
Showing posts with label ஓணம். Show all posts

Friday 2 October 2020

வெங்கடேஸ்வர சுப்ரபாதம்

Venkateswara suprabhatam

 


கௌசல்யா சுப்ரஜா ராம

பூர்வா ஸந்த்யா ப்ரவர்த்ததே
உத்திஷ்ட நர ஸார்தூல
கர்த்தவ்யம் தைவமாஹ்நிகம்

உத்திஷ்டோத்திஷ்ட கோவிந்த
உத்திஷ்ட கருடத்வஜ
உத்திஷ்ட கமலா காந்தா
த்ரைலோக்யம் மங்களம் குரு

மாத சமஸ்த ஜகதாம் மது கைடபாரே
வக்ஷோ விஹாரிணி மனோகர திவ்ய மூர்த்தே
ஸ்ரீ ஸ்வாமினி, ச்ரிதஜன ப்ரிய தான சீலே
ஸ்ரீ வேங்கடேச தயிதே தவ சுப்ரபாதம்

தவ சுப்ரபாதம் அரவிந்த லோசனே
பவது பிரசன்ன முக சந்திர மண்டலே
விதி சங்கரேந்திர வனிதாபிர் அர்ச்சிதே
விருஷ சைலநாத தயிதே தயாநிதே

அத்ரிஆதி சப்தரிஷய சமுபாஸ்ய சந்த்யாம்
ஆகாச சிந்து கமலானி மனோகரானி
ஆதாய பாதயுகம் அர்ச்சயிதும் ப்ரபந்நா
சேஷாத்ரி சேகரவிபோ தவ சுப்ரபாதம்

பஞ்சானன ஆப்ஜபவ சண்முக வாசவாத்யா
த்ரைவிக்ரமாதி சரிதம் விபுதா ச்துவந்தி
பாஷாபதி படதி வாசர சுத்திமாராத்
சேஷாத்ரி சேகரவிபோ தவ சுப்ரபாதம்

ஈஷத் ப்ரபுல்ல சரசீருஹ நாரிகேள
பூகத்ருமாதி சு மநோகர பாலிகாநாம்
ஆவாதி மந்த மநிலஸ் சக திவ்யகந்தை
சேஷாத்ரி சேகர விபோ தவ சுப்ரபாதம்

உந்மீல்ய நேத்ர யுக முத்தம பஞ்ஜரஸ்தா
பாத்ரா வசிஷ்ட கதலீபல பாயசாநி
புக்த்வா சலீலமத கேளிசுகா: படந்தி
சேஷாத்ரி சேகரவிபோ தவ சுப்ரபாதம்

தந்த்ரீ ப்ரகர்ஷ மதுர ஸ்வநயா விபஞ்ச்யா
காயத்ய நந்த சரிதம் தவ நாரதோபி
பாஷாச மக்ர அசக்ருத் கரசார ரம்யம்
சேஷாத்ரி சேகர விபோ தவ சுப்ரபாதம்

ப்ருங்காவலீ ச மகரந்த ரஸா நுவித்த
ஜங்கார கீத நிநதைஸ் சக சேவநாய
நிர்யாத்யு பாந்த சரஸீ கமலோ தரேப்ய
சேஷாத்ரி சேகர விபோ தவ சுப்ரபாதம்

யோஷா கணேன வரதத்னி விமத்ய மானே
கோசால யேஷூ ததி மந்தன தீவ்ர கோஷா
ரோஷாத் கலிம் விததே ககுபஸ்ச கும்பா
சேஷாத்ரி சேகர விபோ தவ சுப்ரபாதம்

பத்மேச மித்ர சதபத்ர கதாலி வர்க்கா
ஹர்த்தும் ச்ரியம் குவலயஸ்ய நிஜாங்க லக்ஷ்ம்யா
பேரீ நிநாத மிவ பீப்ரதி தீவ்ர நாதம்
சேஷாத்ரி சேகர விபோ தவ சுப்ரபாதம்

ஸ்ரீ மந் அபீஷ்ட வரதாகில லோக பந்தோ
ஸ்ரீ ஸ்ரீநிவாச ஜகதேக தயைக சிந்தோ
ஸ்ரீ தேவதா க்ருஹ புஜாந்தர திவ்ய மூர்த்தே
ஸ்ரீ வேங்கடாசலபதே தவ சுப்ரபாதம்

ஸ்ரீ சுவாமி புஷ்கரிணி- காப்லவ நிர்மலாங்கா
ச்ரேயோர் திநோ, ஹர விரிஞ்சி சனந்தன ஆத்யா
த்வாரே வசந்தி வரவேத்ர ஹதோத்த மாங்கா:
ஸ்ரீ வேங்கடாசலபதே தவ சுப்ரபாதம்

ஸ்ரீ சேஷசைல கருடாசல வேங்கடாத்ரி
நாராயணாத்ரி வ்ருஷபாத்ரி வ்ருஷாத்ரி முக்யாம்
ஆக்யாம் த்வதீய வசதே ரநிசம் வதந்தி
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

சேவாபரா: சிவ சுரேஷ க்ருசானு தர்ம
ரக்ஷோம்பு நாத பவமான தனாதி நாதா
பத்தாஞ்ஜலி ப்ரவிலசந் நிஐ சீர்ஷ தேசா:
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

தாடீஷூதே விஹக ராஜ மிருகாதி ராஜ
நாகாதி ராஜ கஜ ராஜ ஹயாதி ராஜா
ஸ்வஸ்வ அதிகார மஹி மாதிகம் அர்தயந்தே
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

தாடீஷூதே விஹக ராஜ மிருகாதி ராஜ
நாகாதி ராஜ கஜ ராஜ ஹயாதி ராஜா
ஸ்வஸ்வ அதிகார மஹி மாதிகம் அர்தயந்தே
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

த்வத் பாத தூளி, பரித ஸ்புரித உத்தமாங்கா
சுவர்கா அபவர்க நிரபேக்ஷ, நிஜாந்த ரங்கா!
கல்ப ஆகம ஆகலநயா ஆகுலதாம் லபந்தே
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

த்வத் கோபுர ஆக்ர சிகராணி, நிரீக்ஷ மாணா
ஸ்வர்கா அபவர்க பதவீம், பரமாம் ச்ரயந்த!
மர்த்யா மநுஷ்ய புவனே, மதி மாச்ரயந்தே
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்!

ஸ்ரீ பூமி நாயக தயாதி குண அம்ருத ஆப்தே
தேவாதி தேவ ஜகத் ஏக சரண்ய மூர்த்தே
ஸ்ரீமந் அனந்த கருடாதிபிர் அர்ச்சி தாங்க்ரே
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

ஸ்ரீ பூமி நாயக தயாதி குண அம்ருத ஆப்தே
தேவாதி தேவ ஜகத் ஏக சரண்ய மூர்த்தே
ஸ்ரீமந் அனந்த கருடாதிபிர் அர்ச்சி தாங்க்ரே
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

ஸ்ரீ பத்மநாப புரு÷ஷாத்தம வாசுதேவ
வைகுண்ட மாதவ ஜனார்த்தன சக்ர பாணே
ஸ்ரீ வத்ஸ சிஹ்ன சரணாகத பாரிஜாத
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

கந்தர்ப்ப தர்ப்ப ஹர சுந்தர திவ்ய மூர்த்தே
காந்தா குசாம் புருஹ குட்மல லோல த்ருஷ்டே
கல்யாண நிர்மல குணாகர திவ்ய கீர்த்தே
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

மீனாக்ருதே- கமட- கோல- ந்ருசிம்ம- வர்ணிந்ஸ்வாமிந்- பரஸ்வத தபோதன- ராமசந்திர-
சேஷாம்ச ராம- யது நந்தன- கல்கி ரூப-
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

ஏலா லவங்க கனசார சுகந்தி தீர்த்தம்
திவ்யம் வியத்சரிதி ஹேம கடேஷூ பூர்ணம்
த்ருத் வாத்ய வைதிக சிகாமணய ப்ருஹ்ருஷ்டா
திஷ்டந்தி வேங்கட பதே தவ சுப்ரபாதம்

பாஸ்வான் உதேதி விகசாநி சரோருகானி
சம்பூர யந்தி நினதை ககுபோ விகங்கா
ஸ்ரீவைஷ்ணவா சததம் அர்த்தித மங்களாஸ்தே
தாமாச்ரயந்தி தவ வேங்கட சுப்ரபாதம்

பிரம்மா ஆதய சுரவரா ச மகர்ஷ யஸ்தே
சந்தஸ் சனந்தன முகாஸ் தவ யோகி வர்யா
தாமாந்திகே தவஹி மங்கள வஸ்து ஹஸ்தா
ஸ்ரீ வேங்கடாசல பதே தவ சுப்ரபாதம்

லஷ்மீ நிவாச நிரவத்ய குணைக சிந்தோ
சம்சார சாகர சமுத்தர அநைக சேதோ
வேதாந்த வேத்ய நிஜ வைபவ பக்த போக்ய
ஸ்ரீவேங்கடாசல பதே தவ சுப்ரபாதம்

இத்தம் விருஷாசல பதே, இக சுப்ரபாதம்
யே மானவா, ப்ரதி தினம் படிதும் ப்ர-விருத்தா
தேஷாம் பிரபாத சமயே, ஸ்மிருதி ரங்க பாஜாம்
பிரஜ்ஞாம், பர ஆர்த்த சுலபாம், பரமாம் ப்ரசுதே


 

Friday 25 September 2020

SRI BALAJI of Thirumala Tirupati

 

LORD SRI BALAJI of Thirumala Tirupati is the Parihara Kshetram for Planet Saturn

By Dasan Kudandai Amudhan


Hindu Gods illustration, Tirumala Venkateswara Temple Thirukadalmallai Srivaikuntanathan Permual temple Nava Tirupathi, Lord Krishna, religion, tradition png








Saturn is known as ‘Shanai shchara’ (slow moving -in Sanskrit). Sani is the son of Sun and Chaya devi (shadow) and half brother of Yama. Saturn is identified with metal Iron, Tree is The Prosopis Spicigera (Sami Tree) – known as Vanni, Flower is karungkuvalai. The Vehicle known as Vahana is Crow and Animals are Dogs, Buffalos, monkeys, Ants in insetcs. Sani is Black colour and wears black/blue clothes, and in diretcion it is West. Taste is Astringant. Athi Devata is Yama. Sani owns Makara and Kumba Rasis. Saturn is for Implimentation of Law of Karma and Dharma. Hence denotes Judges. Sani Gems are Blue Sapphire. Element Is Air. Numerical Value is 8.

Saturn is a planet of Truth, ambition, achievement, Administraion, hard work, Borders, Doors, windows, Teeth, Chin, bones, nail, Human Hair. It rules over masses, dark places, Labour. He is enemy of Sun. Saturn is linked with History, Traditions, Past, Future, Black Magic, Frustration, Disappointment, Failure, Long term planning, Loneliness, Seperation. Saturn deals with reality. It rules over Rocks, Black Stones, Labour work like gardener, Farm workers, Lower strata of society, Jail, Prison workers/ wardners etc. Sanyasis, Sages are signified as religious orders Based upon observing discipline, isolation and personal Limitations. It rules over cold and dry places, Mountains, Gingelly Seeds, Oil, Mortgage, Debts, Civil Services, Slaves, Toughness etc. Saturn symbolize austerity, Simplicity, Concentration, Water Irrigation, Dams, Distribution of Water. Sani graha signify Cow-herds, Shepherds, wandering etc.

Saturn denotes Fasting, spirituality, Mediation, time, hearing-defect, miners, Ugly, Disabled, Deformity, aged, Handicapped, people are its karagathvam. Sweepers, Faithful Servents are denoted by Sani. According to Brihat parasara Hora Sastra, Sani dwells in Ant-hills, dirty places. Because he is Farthest from Earth he denotes the Final experience Death. Saturn rules Coal, Pressure and Ancient period. There is none who gives good results like Sani Graha or ruins the life like Sani. Longevity, Elderly people, Low Caste, Humiliation, Disgrace are denoted by Saturn. Father, Grand Father are indicated by Saturn which is the planet for social responsibilities, charity, Social Services etc. Sani will cause Long Delay, Slow Movement besides denotes Archaeology and Geological Departments. Sani being an agricultural planet, it indicates Implements used in farms/gardens. It denotes Disease, Limbs, knees, Dependents etc. Purana says Sani is opened with half his eyes and Sani is a great devotee of Lord Krishna. Let us see the connections between Sani Graha and Lord Srinivasar of Tirumala.

01) Lord Srinivasa took his avatar in Purattasi when Sani is said to reduce his negative power during this month as he is pleased with the Spirituality of this period due to both Pithru Kaaryams and Deva Kaaryams are peformed. worshipping Vishnu, Fasting on Purattasi Saturday would please Sani graha.

a) During the Month of Purattasi, Pithru kaaryam are performed as Mahalaya Paksha Tarpanam with water and Gingelly seeds (Ellu)  to please Pithrus who descent to earth to their ordained rites from their descendants as Kanya Rasi represent South (dakshinayanam)since Pitru Loka is in southern Hemisphere.

b) Purattasi starts when, Athma karaghan Sun transit to Kanya Rasi where Sukran, Natural Enmity of Sun attains Neecha and Budhan, Lord of this Rasi goes uchcha both by Default. Sukran denotes Material life/ Enjoyment which are kept away during this month. Sun a Friendly Graha to Budhan by virtue of transit to kanya Rasi makes Lord Vishnu, Adi-devada of Budhan pleased during Purattasi.

c) Kanya Rasi denotes Earth and on Navarathiri celebrated in Purattasi Sri Bhudevi is worshipped first along with other goddess on all 9 days. Radha Janmashtami also falls in this period.

d) Mahalaya Amavasya day is the day of Ancestors worship for all Hindus irrespective of Caste/Creed cutting across Linguistic/ Local Customs. Sani is pleased during this period when food is offered to Ancestors in Different forms as Sun is Pitru karagha and father of Sani graha.

02) Lord Sri Srinivasa (Balaji) Avatar star is Sravanam which is in Makara Rasi owned by Saturn. Makara Rasi also denotes Earth in element and denotes our Karma Bhumi.

03) On First Seva of Suprabhatam, the very first opening of golden Door of Moolavar is done by a Golla (cow herder-Edayan) in the presence of Priests from Jeer Mutt and Temple officials. This honour of giving first darshan to a shepherd is for his community services to Lord Sri Srinivasa (Balaji) when he was in penance in Hill. Doors, Cowherds, gesture to them on first seva are the indications of Sanis karagathvam.

04) The white spot (pacha karpuram) on the Chin of Lord Balaji reminds us the Hit suffered at the hands of Sri Ananthazhwar who had thrown an Iron spade on Lord when later came as an young Lad to help the Pregnant Wife of Ananthazhwar in their Dedicated Services in Nandavanam(Garden). Chin, tooth in Face are under the karagathvam of Saturn besides Iron Implements used in Farms, Garden, Labour help are also indicated by Sani. Even now one could see this crowbar in Entrance.

05) Sage Bhrigu, who went on a mission to find out the most Satvic Nature among Trio, having failed to see this quality with Brahma and Sivan, came to Lord Vishnu and finding him in Yoga Nidhra without bothering him, kicked upon Lord chest which is the abode of Lakshmi. Sri Vishnu apologised to Bhrigu for hurting his feet which hit the hard chest and hence massaged the feet of sage. By this act, Lord made Lakshmi get Angered, Humiliated/Insulted to make her leave Vaikuntam to the Earth. Disgrace, Insults Humiliation, thus arised are due to Sanis karagathvam.

06) Lord Srinivasar was desperately wandering in earth without Food and sleep to find out Lakshmi who left Vaikuntham on above reason. He finally reached Sheshadhri and took shelter in an Ant-hill to Meditate. Desperation,wandering without food,disappointment are Sanis karagam.

07) Lord Sri Srinivasa (Balaji) Stayed in an Ant-Hill Under a Tamarind tree at Seshachalam and came out only to protect Cow and Calf (Brahma and Shiva) when a Shepherd tried to hit them, Emperuman Received the Blow on his Head and bleeded. Hence Golden Kireetam Presented by Akasa Raja is adorned on Fridays to Heal this injury. Ant Hill,Tamarind tree,Compassion in  receiving the  Blow are denoted by Sani…

08) Sri AdhiVaraha was the First God to occupy and own this Hill who had permitted Lord Sri Srinivasa (Balaji) to stay here on condition all pujas and Naivedyam must be offered to him First and all devotees of Lord Balaji must offer their worship to him First before going to Srivari temple. Dependent and one who is obligated permanently are under Sanis karagathvam.

09) Vakulamalika, the old lady was directed by AdiVarahan to Render kainkaryum to Lord Srinivasar when he was in penance in Ant-hill at Seshachalam. She was serving food to Lord then and rendering kainkarium. She was the incarnation of Yasoda and desired to see the marriage of Lord Srinivasar as she could not see then the marriage of Lord Krishna with Rukmani and Sathya bhama. Pottu (Kitchen) in Temple is believed to be under the supervision of Vakulamalika. Compassion to Old aged Lady/ Gesture to Aged shows the influence of Sani graha.

10) Lord Sri Srinivasa (Balaji) Borrowed money from Kuberan for his marriage with Padmavathi by signing a Promissory note to pay with interest duly prepared by Brahma, witness signed by Siva and a peepal tree known as Ashwathm. Kubera is mentioned in Vedas as ‘Chief of spirit of darkness and described as Dwarf, with  pot-belly, humpback, deformed ugly body with eight teeth, three legs and one small eye and a normal one. He is the Custodian of Nava nidhis of wealth to souls and half brother of Ravana. Permanent Debt, Mortgage and Financier, Ugly Description shows the influence of Sani graha.

11) Due to Own Sankalpam, Lord Srinivasar is away from his consort Padmavathi and stands alone in Tirumala while Thayar is in Thiruchanur Separately. Similarly Tirumala Hill is isolated from outside influence and confined to Spirituality. Sani Denotes Isolation, Seperation, spirituality.

12) Tirumala Hill in 3200 Ft above the sea level is a mountainous region with Cold and Dry Climate invariably round the year. Mountains, Cold -Dry Climate, Rocks/ Stones denotes Sanis karagam.

13) In Astronomy, various websites including Nasa.gov describe Saturn is Farthest planet from Earth and Saturn has SEVEN RINGS of thin flat consisting of numerous narrow ringlets made up of Ice particles that travel around the planet. Lord Sri Srinivasa (Balaji) is also in SEVEN HILLs and called as ‘Lord of Seven Hills”.

14) Tirumala is the only Hamlet in the world that has Four Dams for the tiny Town spread within a radius of 3 KM. All Four Dams were constructed on Holy Theerthams to meet the water Needs of town. Sani denotes Dams, Irrigation, Reservoir that retard/ slow/Regulate/reduce the Flow of Water.

15) Dhruvabera (moolavar) apart from four Uttchavars: Bhoga Srinivasar, Koulvu Srinivasar, Ugra Srinivasar and Malayappa Swami either together or separately participate in Various Rituals time to time. Golu Srinivasar Darbar is Daily Routine Seva when Idol is brought out to kalyanamantapam to read before the Lord, the income such as Arjitha seva/Hundi collections on the previous day and expenditure followed by reading of Panchangam of previous/ current day. Koluvu Srinivasar is offered with the prasadam of Mixture of Fried Gingelley Seeds (Ellu) and Jaggery. On Anivara Asthnam, a procedure performed during july every year, yearly accounts are submitted to Koulu Srinivasar when new books are issued for Next financial year. Administration, Discipline, Prasadam including Gingelly seeds signify the influence of Sani Graha.

16) Ugra Srinivasar was the original Prachina Vigraham very long ago. Before Many centuries when this Idol was taken out exposing to sun rays, Big Fire was caught during Brahmotshvam. Lord gave a Divine Direction through an Archakar not to take out Ugra Srinivasar. Since then, this idol is taken out for Procession Before Sun Rise on wee hours of Kaisika Dvadasi day only which is named after the Raga of song rendered by Devotee Chandala Nambadavan. Signifying the fact, Sani is for darkness and Sun is for light, Sani attains Uchcha in Thula Rasi where Sun is Neecha and Vice Versa in Mesha Rasi. It is believed when Sani opened his eyes first time, Sun went in to Eclipse. Darkness, Compassion to Low Caste Devotee and above episode shows Sanis Karagam.

17) On Every Thursday, Tirupavadai Seva is Conducted when one can have ‘Netra Darsanam’ as otherwise the Deity Sports a wide Thiruman Kappu which almost Covers Half the Eyes of Lord and on this Seva When Thiruman Kappu is Peeled off, Lord First Gaze after opening Eyes fall on Mortals. Because It has so much power, it is made to fall on the Heap of ‘Pulihora'(Tamarind Rice) directly in front of him thereby sanctifying it and reducing the intensity of his Gaze. This Tamarind Rice acts like a Paavada protetcing devotees from his powerful Gaze. Then Lord is adorned with a thin Thiruman kappu and this stays till Friday morning during Thirumanjanam. This reminds us the significance connected with the qualities( guna) of Sani graha.

18) Lord Srinivasar addressing Thirumalai Nambi as ‘Thatha'(grandpa) came in disguise of an hunter to demand water from Nambi to quench his thirst by puncturing the pot which Nambi was bringing for Thirumanjanam to the Lord from far away Papavinasam. Next day, Emperuman again as same hunter approached Nambi and discharged an arrow near Hillock to create a fountain called as Akasaganga and showed him this nearby water spring. Grand Father is karagam of Sani.

19) Adiseshan (First one to serve) serves Emperuman as Umbrella, Simhasanam, Paduka, bed. He will never get separated from Lord and render Kainkarium to him always. Adhiseshan manifested in the form of Seshachalam Hill to hold Lord Srinivasar in his hood. To Honour his devotion and dedicated service, Lord Srinivasar wears Nagabaranam in his Right hand. Faithful Servent and Selfless Services, Slaves are Sanis karagathvam.

20) Annamayya (Annamachariar) was imprisoned by King Saluva Narasinga Raya of Penugonda when Saint refused to sing a song on king which he demanded similar to the song of Lord Venkateswara composed by Sri Annamayya. Saint who was in prison chained by shackles sang a song on Emperuman with agony and the divine power of song resulted in chains getting broken. Similar to this, Devotees are also imprisoned invariably without their knowledge when they pass through Vertical Cellular Enclosures: for Arjitha seva(paid) and Horizontal Cellular Enclosures (kunndu) on Free Sudarshan seva with many gates Closed/Opened and made to wait in Cells time to time. Sani Grahas Symbolic Sign is Four Small Squares in the shape of window. Hence Sani denotes Prison, Gate, Window, Chain, Warden. Interestingly Bhoga Srinivasar is Permanently Chained with Moolavar by Golden Shackles.

21) Tirumala is the largest Collection Center in the World for Human Hair, exporting to other nations for Amino acid production. Human Hair is Sanis karagathvam. Tradition believes that No one in Tirumala is supposed to adorn their hair (kesam) with Flowers to maintain Spirituality, Austerity, Humility and Simplicity reminding the directive of Sri Ramanujar. Hair (kesam), above gunas indicate Sanis influence.

22) Lord Srinivasar is subjetced to undergo pressure to give Darshan to Devotees almost 21 hours with only Breakup of just three Hours and His time for Partaking the Prasadam is limited only to just few minutes. Yet Lord is compassionate to give darshan to all devotees with little break which reminds the karagathvam of Sani graha on Hard work, Dedication to Work, patience, compassion.

23) The Geological Survey of India (GSI) Declared Tirumala Hill as ‘National Geological Monuments’ for its Marvel on Eparchaean Unconformity as the Granite and Gneiss of Hill underwent ‘Inundation by Sea’ several Millions years ago and the presence of ‘Ripple Marks’ on the Quartzite Rocks bears Testimony to this fact. Another feature is ‘Sila Thoranam’ at a distance of 1 KM from temple wherein two rock groups precariously hang in the air with each others support forming an Arch. It is a portion of Quartzine left unsupported over a Width of 10 Metres and gap below the Arch is formed by Wind Erosion aided by action of water as Scientific fact is that TIRUMALA was completely UNDER SEA Several Millions years ago. As per various Puranas, Lord Srinivasar made this hill as habitation on a day prior to 28 Mahayugas much before the present kaliyuga. Geological wonders, ancient period, Past, Time, History are Sanis karagam.

24) Devotees Experience Delay often standing in Queue and while nearing the Thirumamani mandapam leading to Moolavar, they will tend to be ‘Mudavan’ by limping slowly to extend the duration of darshan of Lord and with the glimpse of Emperuman, they become ‘Manthan” as they forget what they wanted to seek from Lord Sri Srinivasa (Balaji) and after coming out from Darshan, they are not able to recollect in Mind the Divine Swarupum of Lord Sri Srinivasa (Balaji). Delay, Slowness, Desperation, are Sani’s karagathvam. Also Sani is called as ‘Mudavan'(lame) and ‘Manthan'(inert mind) by nature.

25) Devotees pray to Lord Srinivasar with ‘Prarthanai'(vow) by climbing the hill on Foot up to the temple, Tonsuring the Head, some times collecting money through ‘Biksha’, Rolling in Prakaram on Stone (angapradekshanam) etc. Tonsuring Hair will Make our Ego, self pride surrender to Lord, Rolling over Stone in Prakaram makes our body surrender to Emperuman. Rolling on Stone, Biksha, Climbing on foot, Fasting and other tough vows indicates the karagathvam of Sani.

26) Old aged people, Handicapped, Disabled Devotees are given special Direct entry to have Darshan without any ticket which only in Tirumala Temple, this consideration is shown in line with the compassion of Lord Srinivasar. Uttchva murti of Emperuman even reaches out masses nowadays in major cities, towns, villages and even crossing across the sea to bless all walks of people in their living places. Old, disabled, weaker section and masses(public) are denoted by Sani graha.

27) Thirumala Tirupathi Devasthaanam (TTD) renders many Social Scheme like Free Food to all Devotees, Free accomodation, Free transport services, Carrying Luggage freely from downhill for devotees climbing hill on foot, Yearly One Lac Free Marriages, Rehabilitation centers for Blind, Deaf, Orphan Children, Old Aged Homes for Destitutes, Free medical treatment for poor, Free distribution of spectacles for old people, Hospitals, schools and colleges for socially backward and downtrodden people children are few to be mentioned. This Coincides with the Social outlook of Sani graha caring for poorer, aged, handicapped and people of ill-health besides the socially backward section.

28) Dhruvabera(moolavar) idol does not conform to any agamic rule as Lord is above all rules with self manifested ‘svayambhoo’ with his eyes are in ‘sama drishti’ showing divine grace to devotees. Lord subjected himself to undergo ‘Self Test’ to Re-establish through Sri Ramanuja Muni that He is None other than Sriman Narayanan himself when doubts were raised then by few section. Also Uthsavar Malayappa swami is ‘svayambhoo murti’ (self manifested) when this idol was located in a place called ‘malayappan konai’ in hill. So he is called as ‘malai kuniya Ninra Perumal”. This Matches the guna of Sani in ‘self testing’ for TRUTH through Sanyasi as Truth and sages are denoted by Sani graha.

Like Hill which bent upon to receive Lord Malayappa swami Idol, Emperuman bent upon to bless the devotees who approach him with devotion and total surrender. Saturn is quite opposite to the quality of Concious ego, personal pride, leadership, authority, generally akin to people normally influenced by Sun particularly politicians, government officials, personalities etc.They must seek the blessing of Lord with devotion and free from ego/ pride rather than mere confidence on the “Deal” of vow through Hundi otherwise they will have to experience “Raw deal” at the end.

Sani graha in this Kali yuga subjects us to undergo law of karma and makes us accept reality and finally leads us to the path of Dharma. King Dasaradhan, Thirukachi Nambi, Anjanayar all underwent few seconds of Sani grahas Negative results. Lord Srinivasar has taken avatar as ‘kali yuga kadavul’ to bless us free from the evil efforts of Sani graha. Emperuman who is adorned with Ornaments Studded with full of Diamonds reflect the bright rays of hope for Devotees, the fact remains Millions of years before, those Diamonds were in the form of Black Carbon (Sanis karagam) subjected to pressure by Earth Crest. Crows in group called as ‘Murder’ is often Seen to Rest in Rajagopuram of Tirumala temple in the Early morning hours before Sun Rise. Similar to this, a visit to Thiruvenkatam would kill all our sins as the name itself implies this.

Those horoscopes afflicted by Sun-Sani Mutual aspect, if Sani is adverse to Lagna, and  not well placed with Sani Dasa running, a visit to Tirumala on Saturday preferably in Purattasi and on kaisika Dvadasi day to worship Ugra Srinivasar with Prayaga Chakra in hand with his consorts when he is taken out on procession before Sun rise in wee hours would help them overcome difficulties.

Monday 31 August 2020

திரு ஓணம் - வாமன அவதாரம் -திருவவதாரச் பாசுரங்கள்

All the Vaishnava saints called Azhvars were deeply in love with this incarnation.  They enjoyed this avatar as can be seen by / in the pasurams sung by them.  A few examples are given below:

Mahabali - Wikipedia



Periazhvar:

Periazhvar had enjoyed the growth of Lord Krishna from his cradle to boyhood.  He was the only Azhvar who sang   to the Lord (Pallandu), while others sang in praise of him.  In his Thirumozhi verses 44, 45 when he sings ‘lullaby’ to infant Krishna in the cradle the azhvars refers to Vamana avatar.  In verse 104, while referring to the pranks of Lord Krishna the Azhvar refers to Vamana taking gigantic steps and swirling of Namveli, the son of King Mahabali.


ஓரடியும் சாடுதைத்த ஒண்மலர்ச் சேவடியும்,

ஈரடியும் காணலா மென்னெஞ்சே. - ஓரடியில்

தாயவனைக் கேசவனைத் தண்டுழாய் மாலைசேர்,

                                   மாயவனையே மனத்து வை.

Oradiym sAdudhaiththa oN malarch chEvadiyum
Iradiyum kANalAm en nenjE Oradiyil
thAyavanaik kEsavanaith thaNduzhAy mAlai sEr
mAyavanaiyE manaththu vai

Word by Word Meaning

en nenjE – Oh my heart!
Oradiyil thAyavanai – one who measured all the worlds with one divine foot
kEsavanai – destroying a demon named kESi
thaN thuzhAy mAlai sEr – decorated with cool, thuLasi garland
mAyavanaiyE – only that emperumAn who has amazing activities
manaththu vai – keep in your heart

(if he is attained like this)
Or adiyum – the divine foot which measured the worlds
sAdu udhaiththa – kicked such that the wheel broke into smithereens
oN malar sEvadiyum – divine foot which is like a beautiful reddish flower
Iradiyum – both the divine feet
kANalAm – could see

 

Andal (Godha):

The maiden goes about inviting her friends to take bath in the early hours of the day (bath in the river of devotion to Sri Krishna).  Her compendium of 30 songs could be divided into 3 stages of 10 verses each.  In verses 3, 17 & 24 of Tiruppavai, she refers to Vamanan.

 ஓங்கி உலகளந்த உத்தமன் பேர்பாடி

நாங்கள் நம்பாவைக்குச் சாற்றுநீ ராடினால்

தீங்கின்றி நாடெல்லாம் திங்கள் மும்மாரி பெய்து

ஓங்குபெரும் செந்நெல் ஊடு கயலுளக

பூங்குவளைப் போதில் பொறிவண்டு கண்படுப்பத்

தேங்காதே புக்கிருந்து சீர்த்த முலைபற்றி

வாங்கக் குடம்நிறைக்கும் வள்ளல் பெரும்பசுக்கள்

நீங்காத செல்வம் நிறைந்தேலோர் எம்பாவாய்(3)


அம்பரமே, தண்ணீரே, சோறே அறஞ்செய்யும்

எம்பெருமான்! நந்தகோ பாலா! எழுந்திராய்;

கொம்பனார்க் கெல்லாம் கொழுந்தே! குலவிளக்கே!

எம்பெரு மாட்டி! யசோதாய்! அறிவுறாய்;

அம்பரம் ஊடறுத் தோங்கி உலகளந்த

உம்பர்கோ மானே! உறங்காது எழுந்திராய்;

செம்பொற் கழலடிச் செல்வா! பலதேவா!

உம்பியும் நீயும் உறங்கேலோ ரெம்பாவாய். (17)


அன்று இவ்வுலகம் அளந்தாய்! அடிபோற்றி,

சென்றங்குத் தென்னிலங்கை செற்றாய்! திறல்போற்றி,

பொன்றச் சகடம் உதைத்தாய்! புகழ்போற்றி,

கன்று குணிலா எறிந்தாய்! கழல்போற்றி,

குன்று குடையா எடுத்தாய்! குணம்போற்றி,

வென்று பகைகெடுக்கும் நின்கையில் வேல்போற்றி,

என்றென்று உன்சேவகமே ஏத்திப் பறைகொள்வான்

இன்றுயாம் வந்தோம், இரங்கேலோ ரெம்பாவாய். (24)

Vamana avatar - Visnhu incarnatie | Vishnu, Lord vishnu, Avatara

Poigai Azhvar: 

In his Mudal Tiruvandadhi, 21st verse he refers to the act of the Lord measuring 3 steps.

 

Bhoothathazhvar:

In his 5th verse of “Erandavdu Tiruvandadhi”, the reference is to the Lord’s act asking for 3 measures of Land. “Adi Moonril…”

                                             அடிமூன்றி லிவ்வுலகம் அன்றளந்தாய் போலும்

அடிமூன் றிரந்தவனி கொண்டாய், - படிநின்ற

நீரோத மேனி நெடுமாலே நின்னடியை

ஆரோத வல்லார் அறிந்து.

Peyazhvar:

In “Moonram Tiruvandadhi” in 4th verse the azhvar refers to act of the Lord measuring with 3 steps.

 

மருந்தும் பொருளும் அமுதமும் தானே,
திருந்திய செங்கண்மா லாங்கே, - பொருந்தியும்
நின்றுலக முண்டுமிழ்ந்தும் நீரேற்றும் மூவடியால்,
அன்றுலகம் தாயோன் அடி.

Nammazhvar:

In the azhvar’s “Periya Tiruvandadhi” in 16th verse, he refers to Vamana …. Per vamanan…agakall….In 51st verse the reference is both to Vamana and Krishna avatars in the same verse.


சீரால் பிறந்து சிறப்பால் வளராது,
பேர்வாம னாகாக்கால் பேராளா,-மார்பாரப்
புல்கிநீ யுண்டுமிழ்ந்த பூமிநீ ரேற்பரிதே?
சொல்லுநீ யாமறியச் சூழ்ந்து.


மனவாளும் μரைவர் வன்குறும்பர் தம்மை,
சினமாள்வித் தோரிடத்தே சேர்த்து-புனமேய
தண்டுழா யானடியே தான்காணும் அதன்றே,
வண்டுழாம் சீராக்கு மாண்பு?



Thirumangai: 

His reference to Vamana avatar is abundant.


Hindu Mythology - Wisdom of Hinduism: Birth of Vamana and slaying and  Dhundu Rakshah


Decoding the Symbolisms of Lord Vamana

The demon king, Bali, was fair and righteous, yet for all his virtues, Bali was extremely proud and driven by fierce ambition. After conquering the Underworld and all the Earth, Bali managed to wrest the Heavens from the God Indra. Unable to reclaim his seat, Indra implored Vishnu for aid, and so Vishnu took the form of a small mortal man, a priest named Vamana.

In his splendid palace, Bali was giving gifts to the pious. Vishnu,  took the form Vamana and carrying a wooden umbrella, requested only as much land as he could cover in three steps. Bali offered Vamana an island but Vamana stuck to his request, which Bali granted against the wishes of his advisor. Immediately, Vamana grew to cosmic proportions, crashing through the ceiling of the palace and filling the sky. With one colossal step, he engulfed all the Earth and the Underworld. With a second step, he consumed the heavens. Now, with everything under his two units, Vamana had nowhere to place his third step. He challenged Bali to go back on his word or offer somewhere else for him to step. Bali’s demon army surged forth, but the demon king held them back. Bowing in humility, Bali offered his head as the third step. Vamana sends Bali to the underworld but, in recognizing Bali’s benevolence, shows mercy by granting him sovereignty over it in appreciation of Bali’s sacrifice.

Vishnu returned control of the Heavens to Indra and left his Avatar behind, but he also left behind a valuable lesson. Even the mightiest and most arrogant of kings can be humbled by the smallest of men.


Decoding the Attha Pookolam:

Pookolam rangoli designs are usually created in ten rings, each ring representing deities in the Hindu pantheon.

First rings describes Lord Ganesha, second ring defines Shiva and Shakti, third-Lord Shiva, fourth-Lord Brahma, fifth dedicated to Pancha Boothangal, sixth-Shanmughan, seventh describes Guru, eighth – Ashta Digpalakar, ninth defines describes Indra and tenth defines Lord Vishnu

The size of a pookalam is increased daily for ten days, by adding a ring or a step on the outside to the initial pookalam design. On the main day of Onam, a really large pookolam gets ready.\

The making of a Pookolam is an events in itself, and is an extremely colourful and joyous one.

About Pookalam | Pookalam Designs for Onam Festival - Temples In India Info  - Slokas, Mantras, Temples, Tourist Places

Decoding the Onam Sadya:



Onam sadya recipes
The dishes in a Sadhya are not served in a random order, but there is a particular sequence to this.

Talking about the most important dishes in a sadhya, native one adds, “We make something called the injicurry which is like a chutney of ginger and tamarind. Then there is thoran, kalan, avial and so on which are all vegetable based. Sambar, daal and papad is a must too.”

Serving sadhya is an art in itself, The narrow part of the leaf faces the left and the dishes are served and eaten in a particular order that also aids digestion. A pinch of salt and a banana are served first and then the rest, it finally ends with a payasam or sweet.

Onam platter
Salt
Banana
Papad
Sarkara Varatti (banana wafers).
Pickle (often a mango pickle is served)
Injicurry
Thoran (dry vegetable dish with coconut sprinkled on top)
Olan (dish with vegetables, black eyed beans in a mildly spiced coconut gravy)
Avial (a mixed vegetable dish)
Pulissery (Yogurt-based dish, like a raita)
Kichadi
Kalan (A dish with raw banana in a buttermilk gravy)
Koottucurry (Curry with vegetables and Bengal gram dal)
Rice
Daal
Sambar
Rasam and Moru